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禪流河東復河西(續集)

禪流河東復河西(續集)

Editor: 陳金華 CHEN Jinhua

Hardcover ISBN: 978-981-17282-8-0

Date of Publication: 2023

Pages: 533

  • PRODUCT INFO

    Chanliu hedong fu hexi (xuji): Haiwai xinrui Chanxue yanjiu bacui 禪流河東復河西 (續集): 海外新銳禪研究拔萃 [The Dissemination of Chan Buddhism to Hedong and Hexi (or How Zen Became Chan)] (vol. 2): Selected Works of Outstanding Overseas Chan Studies], edited by Jinhua Chen 陳金華, 2023.

     

    The presence of Chan Buddhism and its cultural traditions has deeply permeated secular society, at least within the East Asian Sinosphere. Over the past millennium, many Asian countries, while maintaining unique local characteristics, have preserved a Chan Buddhist culture that shares a significant kinship with that of China.

     

    Japanese scholars in the twentieth century brought Chan Buddhist culture to Western academic and elite societies, thereby changing the way ancient Eastern knowledge systems were perceived in the West. Initially, Western comprehension of Chan was predominantly focused on Japanese Zen. Gradually, researchers began to acknowledge the differences between these branches and mainstream Chinese Chan Buddhism. This recognition resulted in a fundamental change in global scholarly examinations of Chan Buddhism. Contemporary scholars now make a clear distinction between Chinese Chan, Japanese Zen, Korean Seon, and Vietnamese Thiền. These distinctions serve as a foundation for ongoing scholarly investigation in this area.

     

    In order to advance research in this area, the University of British Columbia’s FROGBEAR (From the Ground Up: Buddhism and East Asian Religions) project, in partnership with the Glorisun Global Buddhist Network, joined forces with Yale University in July 2022 to organize an international academic conference entitled ‘How Zen Became Chan: Pre-modern and Modern Representations of a Transnational East Asian Buddhist Tradition’. The objective of this conference was to critically analyse and explore this significant and enduring Buddhist tradition from multiple perspectives, encompassing different academic fields, geographical areas, and cultural contexts. This book comprises the second volume of the conference proceedings and features twelve notable papers on Chan studies.

  • TABLE OF CONTENTS

    序   華林佛學研究書系
    湛如

     

    代序   變革、網絡、跨境、互鑑:對禪宗跨地域、跨文化傳播的多媒介與跨學科的考察
    陳金華

     

    一、圖景轉換與範式移易——禪研究方法論再思考

    1.1     [美] 福克 Griffith Foulk(鄧育渠 譯、紀贇 校):禪宗歷史研究的新視野與新路徑——待刊拙著《禪的歷史》之導論

    1.2    [澳] 喬根森 John Jorgensen(張芾 譯):禪學——淺論近代禪宗學之成立

    1.3    [日] 伊吹敦(通然 譯):荷澤神會的歷史意義再考

    1.4    [美] 莫舒特 Morten Schlütter(孔雁 譯):禪宗與宋代政權

     

    二、以文字為階 ?——禪修與禪典

    2.1    [匈] 高奕睿 Imre Galambos(鄧育渠 譯、紀贇與黃君榑 校):斯坦因所獲敦煌本《六祖壇經》斷代——從寫本學的角度分析

    2.2    [英] 薛克 Sam van Schaik(趙燕飛 譯):禪宗文本與禪修實踐——研究早期禪宗的社會歷史學路徑

    2.3    [美] 葛利尹 Eric Greene(嚴世偉 譯):禪修、禪師與禪經

    2.4.   [美] 魏雅博 Albert Welter(鄧育渠 譯、楊增 校):禪教離合——永明延壽及其遺產

     

    三、禪修:面向、途徑與延伸

    3.1    [日] 出口康夫 (鄭杰友 譯):自我即萬物——道元論自我與世界

    3.2    [美] 默箬絲 Michaela Mross(鄧育渠 譯、紀贇 校):講式——通過音樂修行

    3.3    [日] 柳幹康 (李銘佳 譯):白隱的實踐體系及其背景

    3.4    [日] 重田美琪(李家民 譯):鈴木大拙和久松真一關於東亞美術、藝能與 “禪” 的言說

     

    編者、作者與譯者介紹

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